The Slam: Slammables

A Song for Those from a Friendly Country

by A_Brown

The cold wind nuzzles your chin to your chest,
the bells knelling hours to a close, as you
escape the vile memory of Winter for a dim and
lackluster Spring. Your breath smells like gin,
and your eyes sing defeat behind your pride, your
rebellion. Even as you gaze at the newspaper picture
you know you have already lost. Even
as you hold her with trembling hands
you speak of how things will fall down around you.
You are fearful, a simpering, whimpering hero
with overalls hanging about your knees.
Like the black sheep, you huddle amongst the flock,
but you know all too well that the wolf can see you.

Friendly man, with your posturings and packages,
red-kerchief children prancing around your heels,
fixing their fingers in deadly pistols, you
long for the final blows. You stare up at
those all around you, their eyes fixed on the distant
podium where the dark face stands,
embroidered and mustached, the face that you
have so often mistaken for your own.
You gave her over to the rats, in the end,
and the image of her, cheeks and forehead and
eyes all taken apart, like so many pieces of
yourself, still haunts you and plays behind your eyelids.
There is no love there any more, but for that poster-face.

You sit in dark cafes playing at chess,
under the chestnut tree where you gave her away.

Slammings

This is a really great piece of work. I admire your ability to write about 1984 without making it obvious or cheesy. You used your own language along with images from the book to add a new dimension to the story. I also appreciate that you paced yourself so that the reader didn't necessarily make the connection at the beginning of the poem. Even if you haven't read the book, this is still a striking piece. Well done!

critiqued by Erica, Missouri
May 17, 2010

I have to say that I cried as I read this. It is absolute defeat and misery and strength, crippled by fear, despair. It was terribly, terribly familiar. Not, initially, because of the great book you based it on, but because, from where I am, I can still see people who keep their red "Young Pioneers" neckerchiefs with them and I can still see statues and pictures of our "Big Brother." Thank you for giving me the mirror I needed to see out the window onto the country behind me. 

critiqued by L. M. Zhukov, Russia
Jun 22, 2010

I didn't immediately realize what this was about -- but when I did, it hit me hard. I reeled at the end of 1984 the first time I read it, and reading this brought it all back to me.  Your placement of Winston in second person was just right for this, allowing vague hints of reproach, depression, and shame to filter through to his damaged mind.  Winston embodied.

critiqued by ink.stained.fingers, New York
May 7, 2011