The Slam: Slammables

Still Lives

by CarlNap, Arkansas

He is a painter and he has asked me many times to pose for one of his
pieces and I have told him many times no, confining him to still lives.

He still lives next door to me. This suburban street just like an
apartment hallway. This apartment hallway just like a suburban street.
So often I can’t keep things straight but I know for sure that he still
lives next door.

Still lives have become a specialty of his. Don’t bother commissioning
him for a portrait of your favorite great aunt. I’m sure by now that
portraiture has become like suicide for him. But maybe that’s just
wishful thinking. He still asks me to come to his studio one of these
days. I say, how about coffee instead?

Didn’t Van Gogh once do a painting of a café? You see, I’m not
completely ignorant about art. However, he balks at Van Gogh. Van Gogh is overrated. Everyone has their own overrated artist. My sister has Dali. My friend has Escher. I have Rembrandt. He has Van Gogh. He likes his coffee black, just like my soul. The cup that I drank from has become his newest masterpiece. A riveting still life.

Still, life cannot be blocked or barricaded, but I can still say no to
him for the umpteenth time. How about a movie instead? We cop out of
going to the theater, which he calls the cinema, and opt for a rental.
20,000 Leagues Under the Sea. I have never seen the movie and I
still haven’t. I fell asleep beside him as the movie started. Maybe he
fell asleep also. Or maybe he forgot me, engrossed in the film. Or
maybe he held me. I have no way of knowing.

He punched me out of frustration. Do I know how difficult it is to
capture the emotions of a shattered vase? No, I don’t. He wants my
face. He wants my body, my hair, and my eyes for himself. He wants
every last expression. He wants me immortalized in his art. He wants
me. Why won’t I say yes? Just a portrait. Just an image. He practically
has it all figured out in his mind’s eye. My eye is bruising from his
rage. Red. Purple. Blue. He has paints for all these colors. I push him
out of my house. I force him out of my apartment and slam the door.

He never apologized about my eye. I don’t expect him to. Staring at the
mirror with an ice bag in hand I can see that I look better with it.
Perhaps a bit more handsome. I look more like myself because of a black
eye. My black eye. Proof that I am alive. Proof that I still live.
Proof that my life isn’t so still.

I sit still in his studio for hours while he works fervently with his
brush. Sometimes he stops and steps away. He peers at me and I give him a look that asks, Well, how does it look? or Are we finished yet? He
just smirks and disappears behind the canvas. My eye is dark and
swollen and throbbing and the room is cluttered with countless still
lives reminiscent of another age.

He still lives next door to me. Still, life is dubious for me. He
assures me that it isn’t. He assures me that we shouldn’t feel dubious.
H has captured an evening of me sitting still for hours and I have
never felt more kinetic. There’s a heat there, a thermal expansion, an
external combustion that occurs whenever I’m around him. We are a
silver six shooter. We aimed and ignited an explosion into the night
sky.

That night, we burned all of his still lives and nothing could
contain us.

Slammings

That was great!  You made everything flow nicely together.  However, it needed some more detail, more background on the main character. I didn't really know if 'It' was a boy or a girl.

 

"Punched me out of frustration" was a little off-putting, with "punched" in past tense.  You could have brought in some action there and I wouldn't have thought it was just a metaphor like I did.

 

Grammar: "I have never seen the move, and I still haven't"?  Was that supposed to be "HE HAS never seen the move, and I still haven't"?

critiqued by Aaron Lawrence, St. Louis, Missouri
Apr 11, 2010

First of all, let me just say that this is a magnificent piece. I have only one suggestion: in the fourth paragraph you say the artist drinks his coffee "black, just like my soul." Personally, I think this is a bit overly dramatic and kind of cheesy. Other than that, I love the story, especially the part about you looking better with a black eye. Keep on writing!

critiqued by moonbird, Earth
Apr 11, 2010

An idea for the part where you say "he likes his coffee black, just like my soul": Instead of "soul," because I agree that is a little corny as your soul can't be all black and dark, you could say "mood." Moods are less defined, they can change. Just an idea.

 

I really enjoyed your play on the words "still life"! It was a clever idea and really unified the piece. Great work!

critiqued by m.black, Iowa
Apr 12, 2010

No way!  Don't change that at all.  "Black like my soul" is a very neat line.  It gives the character a sense of past, moral degeneration, and mystique.  You can't always have happy, good little bookworm heroines -- branching out is impressive.

critiqued by Aaron Lawrence, St. Louis, MO
Apr 13, 2010

This was great! I, too, loved how you repeated forms of "still lives" and "still life" throughout the piece. However, there is one issue. The plural of a still life painting is "still lifes," not "still lives." Weird, but true. (See http://www.artlex.com/ArtLex/s/still-life.html, third paragraph down.) That really bothered me when I read this because I kept pronouncing the word wrong in my head and having to correct it for it to make sense. Do you think it would take away from the repetitive effect to fix the grammar?

 

I also agree that you should not say "black, just like my soul." It's a tad melodramatic. "Mood" works much better, and so would "thoughts."

 

I really do love how you tied the piece together with the "still life" theme. It took an ordinary love story and made it memorable. With as many cliche love stories as there are hanging around, this was quite refreshing and beautiful.

 

Happy writing!

critiqued by Jenna, Missouri
Apr 13, 2010

AUTHOR'S NOTE:

 

Thanks so much, everyone, for your input.

 

To answer Aaron Lawrence’s concerns: I purposefully made the narrator
ambiguous, especially the gender. I feel that it gives the reader
some more liberty of interpretation and more than one way to look at
the story. I’m not sure how “he punched me out of frustration” could be
interpreted as a metaphor, but the point kind of was to be off-putting.
And "I have never seen the movie, and I still haven't" is right. It is
a bit confusing, but it makes sense. The first part explains the motives
of renting the movie while the second part introduces what happened
while they watched the movie.

 

To Jenna, that is interesting about “still lifes” being the correct
plural. I don’t think that changing it to correct the grammar would
affect the repetitiveness because I think one would still pronounce it
“still lives." It’s only used four times in that context. Plus, now
that I know that the grammar is wrong, it will bother me if it isn’t
correct. What does anybody else think?

 

As to the line "He likes his coffee black, just like my soul," it
wasn’t my intention for it to be so dramatic, but now that it’s pointed
out, I can definitely see that it is a bit much. How about, “He likes
his coffee black, just like my breath”? I think that breath carries the
same weight as soul, since they’re both sources of life in a sense, but
is also subject to change like a mood or thoughts. Plus, it hints at
cigarettes. And come on, smoking at a café, how artsy is that? Very
artsy. (That was sarcasm right there, just so you know.)

 

Once again, thanks so much.

critiqued by CarlNap, Arkansas
Apr 18, 2010

I have only a couple issues: "black, just like my soul," which sounds both annoying and pretentious, and the "still life" repetition, which is intriguing but kind of distracting.

 

That said, I think your piece is exceptional. It is like a million different colours exploding all at once. I love your imagery and the narrative style, which is combustive and intensely personal. Excellent job.

critiqued by Monica N., British Columbia
Apr 18, 2010