The Slam: Slammables

Rocket Girl

by Jenna, Missouri

I first met her when we were seven years old, in the plastic rocket ship on the playground near my house. It was a glaring yellow with holes in the sides where I could peer out and see my mother's face. Her eyes were hoping that a kid as socially inept as me could make at least one friend out of all the billions of people on the Earth.

“Hello.” A deep mechanical voice came from the pink, chapped lips below the girl's freckled nose. “I am the robot 2355, captain of this ship.”

Before I even let my gaze travel up to her dark coal eyes, ready to be ignited at a moment's notice, I knew that I didn't want to be her friend. I pushed myself out of the rocket with my sticky, sweaty hands and ran across the wood chips to the swings.

Each time my swing reached its peak it froze for a moment and I could look down over a good deal of the park. The mounds of colorful plastic and the metal supports with the peeling paint were beautiful in an ironic way, sitting between the majestic, centuries-old oaks under the eternal blanket of blue.

“2355's not really my name, you know.” I hadn't even realized she was sitting in the swing next to mine. Even my best glare, the one that every new kid must perfect to ward off teasers and unwanted sympathizers, bounced right off of her. She continued. “That's what the letters in my name are on a phone keypad,” she explained. “My real name's Bell.” A giggle slipped out of from between her lips and flickered in her eyes for a second as she recalled that particular stroke of genius. “Shh. Don't tell anyone,” she added.

“Okay.” I finally let myself succumb to her impossible bossiness. Somehow, that one word sealed our friendship.

I spent an entire year hearing about Bell's future intergalactic journeys and trying to think of a way to break it to her gently. One day I just decided to go for it.

“Science Fiction's not what it's cracked up to be,” I told her, but my worrying had been all for naught. She just laughed and hugged me excitedly, then went on in her usual jabbering way.

“You don't believe in time travel either? I'm so glad! It's nonsense, really. I mean, how long would it take to travel back a hundred years? Three seconds?” She rolled her eyes. “That's time moving forward, not back!” she exclaimed. “It just keeps marching on.”

When I turned nine my dad asked me if I was ready to leave. “We can't stay in Missouri forever, you know,” he said. I told him I wasn't quite ready, but that I'd let him know when I was.

By the time Bell and I were fourteen I'd learned to tune out any monologues including the planet Zoolagoo of the galaxy Xona or any related topics. We spent the summer lying under the sun on the dock behind her house. I loved talking with her about life, but when her eyes burned with that certain fire I knew it was time to start focusing on the thumping of my heart and the feel of the warm boards on my back rather than her dreamy, melodic speech.

I didn't realize I loved Bell until we were sixteen. Then I knew why I couldn't listen to her love the things I most hated. Eventually she gave up on meeting an alien, but her heart never changed.

On my eighteenth birthday I stood in the big, cold airport with the slick navy floors while I waited for Bell to make up her mind on where she was going.

“What do you think about Paris?” she asked.

It struck me for the first time that Bell would love Paris, Rome, Egypt, Japan, anywhere. Heck, she would love Jupiter's moons and even Zoolagoo. She kissed me goodbye on the cheek, but she walked through the gate to her terminal without looking back.

I called my dad on my cell as I drove home from the airport. “I'm ready.”

My mother, my father, and I boarded our big, lonely starship that night. I didn't let myself look back either as I heard the grating sound that the steel door made as it slid closed behind me. Okay, maybe just one really quick glance. Or two. Then we shot up into the black sky for the first time in twelve wonderful years.

Time had kept marching on. I hoped I'd love again. But if I ever made it to Zoogaloo, I'd be sure to send Bell a postcard.

Slammings

The only thing is, those must have been some pretty flaky, patient parents. Who would willingly wait twelve years to move? Cute little story, though.

critiqued by Adam Lantern
Mar 11, 2010

I absolutely loved this! It was bittersweet and a little ironic at the same time. The foreshadowing was subtle, and that makes for a great piece of writing. Great job!

critiqued by JLC, Kentucky
Mar 11, 2010

Wow, that was a nice twist at the end.  Rocket Girl should have been Rocket Boy.  I'm still trying to decide if the starship was a metaphor at the end, but it would have made more sense had the boy actually been different in an entirely alien way.  Someone who lives in a science fiction world, and so therefore doesn't want to talk about it, and complains that it's not all it's cracked up to be.  And since the girl was such a sci-fi obsessive, that's why she was naturally attracted to him. 

critiqued by Aaron Lawrence, St. Louis, MO
Mar 11, 2010

I was extremely interested in your story from beginning to end!  I thought it was kind of sad at the end with Bell and the main character being separated, but I guess not every story can have a happy ending.

critiqued by *DanielleTaylor*, USA
Mar 11, 2010

AUTHOR'S NOTE:

 

Thanks for the awesome feedback, guys! I'm really glad you enjoyed this!

 

A special thanks to the authors of the critiques that have walked me through the thought processes you had as you read this piece, and especially your reactions about the ending. After working and reworking this story, I came to the point where the ending seemed average and non-surprising to me. Even before I knew how attached the narrator was going to get to Bell, I knew who he was and that he was going to have to leave her, so I feel like I don't really understand the mental transformation that occurs (well at least I hope there's a mental transformation, that was the plan!) in readers' minds as they discover the true nature of the narrator. Even if you don't necessarily have any other feedback, hearing your initial responses and what went on in your mind is really helpful; I really need help getting into the mind of my reader.

 

I love that you love my story and your positive feedback is great, so reassuring! However, I feel that to grow as a writer I may need a few more Devil's Advocates here. When I write, it tends to be a process where I can only see down one path and never question myself. Was there a wording you questioned? Something you could have seen happening differently? Even if you don't think I'm wrong, question me! I need to see several ways this story could have been in order to decide what changes actually need to happen. (I love you guys dearly, but sometimes you're too supportive -- a crime I admit to being guilty of, as well.) So have fun with your critiques! Along with what you loved, what did you hate? (I promise not to be offended; I asked for it!) And thanks for your time, both in reading my story and giving me feedback. You have no idea how much it means.

 

critiqued by Jenna, Missouri
Mar 16, 2010

Neat concept, but it needs a little more detail... Such as, what does Bell look like? Who (or what) is narrating? Cool idea, though!

critiqued by sortapoet, Mancos, CO
Mar 16, 2010

A little more detail could be used, but not describing the narrator actually adds to the piece (in my opinion). Some styles work very well with very little description; you just have to pack meaning into everything else.

 

A quick comma question: "Each time my swing reached its peak it froze for a moment and I could look down over a good deal of the park."

 

Should it really be, "Each time my swing reached its peak, it froze for a moment, and I could look down over a good deal of the park"?

 

Also, I have to add that, for some reason, for the entire piece I was under the impression that the narrator was female, and I thought how cool it was that someone was describing the beginnings of a homosexual relationship. I don't know if you want to make it clear that the narrator is a boy (as I found out in the comments), or leave it up to the reader to decide, but I just thought I'd mention that.

critiqued by D. Baetzner, Minnesota
Mar 31, 2010

AUTHOR'S NOTE:

 

Thanks for your response; it really gave me some things to think about. I agree with the comma change, and I'm glad you pointed that out. About the gender of the narrator, I hadn't realized how ambiguous that was until I heard confusion from readers, both on this site and in my family. In my mind, the narrator has always been male. I don't have a problem with it being female, that's just how the character developed for me. I haven't decided yet whether or not to make that more clear. I guess the narrator may come off as female because I am, and perhaps I write more like a girl would think. But I don't really see a way to tell the gender because it's in first person and of course the narrator isn't going to think about himself as a "he," but an "I." I guess I need to decide if I care that the reader takes the story in the same way I do.

 

Thanks for your input!

critiqued by Jenna, Missouri
Apr 2, 2010

I actually like that the gender is ambiguous. It allows the narrator to be more abstract and mysterious, thus the ending seems more fitting. If it were totally obvious or stated outright, you might perceive the narrator as very human -- which would make the ending feel very different. This way, the ending flows into the story like a simple sequence that you realize is a twist but doesn't feel shocking. If the narrator were more human, then you would feel like the ending was a bit of a shock and less organic to the overall flow.

critiqued by AngelInTheDark, Asylum
Apr 11, 2010