The Slam: Slammables

Falling in Love Over Fruit

by Shawnee, Minnesota

She liked how he cut his food.  Cleanly, with intent.  She was fascinated watching his purposeful lean fingers set the knife and fork down neatly and pick up the white napkin.  Funny how one could fall in love with a man for his fingers across the table in his mother’s kitchen.

The silence was rather awkward so she popped a tart radish in her mouth.

“Good?” he said, one eyebrow raised.

She nodded. “Quite delicious.  Your mother grows these?”

“Yes.  Tomatoes and squash as well.”

She was about to say “fantastico” but she stopped herself because he wasn’t the type.  Instead, she merely said, “Nice.” And wiped the corner of her lip with her cloth napkin delicately.

“Care for any artichoke?” he proposed.

“Never had it before.”

“You must be joking.” He took an artichoke in his hand and began to peel off each of the glossy green petals. “See, the part you eat, the fruit part, is inside.  Very scrumptious, you must try some, Kat.”

“Yes.”  Her eyes wandered off to the shiny yellow tile of the kitchen walls and the light gleaming off the polished silver sink basin.  She curled and uncurled her stockinged toes under the table.  Even the floor felt clean.

She glanced at his face briefly: the clean angles of his cheek, his beautiful half-Asian eyes, and the way his wrist kept pushing his glasses higher up on the bridge of his nose.

“Can you cook?”

She started a little. “French toast?” she offered with fragnant eyes. “How about you?”

“Egg rolls, Korean meat, dim sum with rice is my favorite… my mom taught me.  My dad taught me how to make Spam.” He chuckled.

She told him that she always wanted to learn how to make egg rolls.

“I can teach you sometime,” he said. “It can be an all-day affair!”

Somehow that didn’t sound quite right, and they both blushed and looked down.  He had finished peeling the artichoke and he placed it in front of her. “Try it.”

Slammings

I liked its meaning, but the plot was a little weak. Have you ever tried writing in first person? You might like it better.  You kept getting into the girl's head and then pulling out and talking about the actions like a third party observer... It was a little confusing.

critiqued by Aaron Lawrence, St. Louis, MO
Feb 26, 2010

I agree with Aaron. I think this story would work best in first person because it's such a personal story. With stories where the characters are more distant and less focused on feelings, third person is good, but when a story is so grounded in the feelings of a character then I think first person works the best. I loved the plot and felt that you could've done a lot more with it without making it too long.  Keep it up, this is a great start.

critiqued by YodaShmoda, High School
Feb 27, 2010

I really like the concept behind this piece and the atmosphere of the scene the description provides. It definitely has great potential, but I agree that the point of view needs some reworking. Right now the narration seems to be once or twice switching from third person limited of the girl to a third person narration that is sort of detached from the girl.

 

I happen to be a big fan of third person limited, because it allows the intimacy of getting inside the head of one character without the sometimes restricting voice of first person. I think if you were to clean up the point of view just a bit, it would be a really great piece, and you do not really need to switch to first person. You write about how she "wiped the corner of her lip with her cloth napkin delicately" and "offered with fragrant eyes." While these are great descriptions, they are sort of something an outside observer would more notice. You could even just add that she was trying to be delicate to impress him or that she knew that her "fragrant eyes" would have an effect on him, or something like that, to make it more personally connected to her. Other than these few things, I thought your piece was very beautiful in its simplicity. Good job!

critiqued by NineMuses, New York
Feb 28, 2010

I don't think first person would be good; I like visualizing them both in the kitchen together rather than just seeing him through her eyes. I really love the beginning, because it really is the small things that I love in people.  Like in Arsenic and Old Lace I think, the girl told the man that at first she fell in love with the back of his head and then got used to the front. The end is good, too, but I felt like the middle could be a little shorter.

critiqued by jujubee, Thailand
Mar 2, 2010

Somehow, I didn't even notice an awkwardness in the point of view; I like it the way it is. Perhaps limited omniscient might take out a few kinks, but I think that to put it in first person would take away some of its charm. I love the plot -- I always love the idea of a small scene, a seemingly insignificant conversation, and the way it can be expanded into a larger text to show that every encounter has meaning, though often overlooked as unimportant.

 

I especially liked the note of awkwardness that ended the story, as it sort of resounded to a note everyone has experienced, making the scene more human, more real.  Another thing I think attests to this is the part where she was about to say "fantastico," but she stopped herself because he wasn't the type. It sort of tells about this uncomfortableness yet splendidness of falling in love... 

critiqued by etoile, Salt Lake City, UT
Mar 2, 2010

I really enjoyed this story. The title really caught my eye, and I think that it really pulls the reader into the story. I didn't notice anything awkward about the point of view; I thought that it all was pulled together quite nicely. I enjoyed the "humanism" in it, as it reminded me of a few times with one person in my own life. But, I do think that the dialogue was a little stiff, even if it is an awkward moment. For instance, she said, "Quite delicious. Your mother grows these?" I think that this sentence is a little formal for just two people talking. I think that she should say something more informal, such as, "It's great. Does your mother grow these?" But if that is just how the character is, then I think that you shouldn't change it. Really great piece, I really enjoyed it.

critiqued by H.C.M., Colorado Springs, CO
Mar 5, 2010