The Slam: Slammables

The Inversion

by etoile, Salt Lake City, UT

it's the kind that lingers

stays too long

not fresh and soft,

covering the world

like a white blanket of silence

not crisp, clean and cool,

but the kind that lingers

in the dark and cold places

where the sun shines less

the gutters

the sides of the road

where the snowplow pushed it

the top of the hedge

where someone has placed a coffee cup

the coffee inside

frozen solid,

no doubt

the accumulated dirt

makes it dark and disgusting

as it stagnates

and becomes full of icy black crystals

it has overstayed its welcome

the leftover salt on the roads

leaves a dirty, gray glaze

making the city look sombre

and dejected

the merry snow

that fell

amid ringing bells

and Christmas hopes

has lingered long enough

to see the trees put away

and people return to their normal lives

the weather taking its cue

as icy, bitter, biting, cold

children stumble over

the uneven hard surface

of the snow turned to ice

as they walk across lawns

hurrying to get home

out of the cold

and a deep hazy smog

settles over the city

making the sunsets beautiful

and the people cough

unable to stand the ugly bitterness

any longer

we wait,

wish,

and hope,

for it to snow

Slammings

Hmmm, a little confusing at times. I'm not sure what you're trying to get at, here.  A little unnecessary in length.

critiqued by xXxalylovesyouxXx, Ohio
Jan 29, 2010

I actually really enjoyed this poem. I thought the length was good because the lines are very brief despite there being many of them. Even if it is lengthy, the choice of words makes it intriguing to read, which more than makes up for the length.

 

I found it very interesting how you explored the theme of a good thing turning nasty in such a unique way. The irony of the people hoping again for the snow which had turned on them before was very thought-provoking. You could maybe do a bit more, though, to make the theme (whether or not I caught the intended one) seem more applicable to other situations, if you wanted the theme to be more universal... It seems really specific right now. Or maybe that is what you intended? Good work!

critiqued by NineMuses, New York
Jan 30, 2010

AUTHOR'S NOTE:

 

Thanks! I'm glad you enjoyed it!

 

Where I live, we get inversions, which are pretty much cold air trapped under warm air so that none of the air circulates. They come especially in the winter and can stay a long time, because it's in a valley and is shaped like a bowl. When that happens, all the air pollution that is usually blown away without a problem gets trapped in with the cold air, and makes the entire city gross. Usually the only thing that will clear it out is precipitation, often snow, as it is in winter, but sometimes it's awhile before the snow comes, and the snow that is already on the ground, but mostly melted, gets dirt in it, especially when it's near roads, because the cars drive over it. That, in a very literal sense, is what the poem's about, though there are other themes.

critiqued by etoile, Salt Lake City, UT
Feb 4, 2010

I really liked this poem, too -- the disgust with dirty snow is a feeling I have/share. I agree that at times it was slightly confusing, and a little more cohesion would make it better, but no matter what it's still an excellent poem.

critiqued by rschneider, New England
Feb 4, 2010

I like the description and think it's really accurate. But I get tripped up during the parts where you describe what the snow is not. I find that the three-letter word of "not" gets skipped in my brain, and all I think of is snow that is "clean, crisp, and cool" and is "fresh and soft." I'm not sure how you could fix that without taking it out altogether, and I really liked it even if it took slowing down a bit to understand.

critiqued by YodaShmoda, Connecticut
Feb 4, 2010

I'm not sure if this was intentional, but I like the way certain lines can go with either the line before or the line after and slightly change meaning. For example, it could either be read, "out of the cold / and a deep hazy smog" or "and a deep hazy smog / settles over the city." Although this made the flow confusing at times (I read it the first way in several of these cases, and had to stop and think about what "settles over the city" was doing there gramatically) I was used to it by the end. However, I think this flow, whether intentional or not, took away from the meaning of your poem. This could be good if it was your intention -- the beauty of words and the way you choose to arrange them can be poetry in and of itself. In this case, that poetry was lovely enough that I didn't pay much attention to the message you might've intended readers to see. Again, if that's the way you wanted it, excellent work. I enjoyed this poem... Can't wait to see what you write next!

critiqued by knowitpoet, USA
Feb 4, 2010