The Slam: Slammables

Fire Breathing

by phrivolity

The second I slung my arm over her shoulders, and smothered her clavicle with my meaty forearm, a shadow descended on her face. So I took my arm off, and all at once, she lit up again, like her face was a naked bulb and my arm had been a lampshade. She was talking about her opinion on something, but I wasn’t really listening. I was keeping time with the metronomic clacking of her shoes: cruel high heels, with a dagger on each foot, unrepentantly stabbing the pavement behind her with every step, each stride leaving the sidewalk to clot its wound with a scab of pigment-less chewing gum. Suddenly, she stopped.

“I’m in the mood for a cigarette,” she said.

“Oh,” I said. “Can I have one?”

“Sure, but if you smoke it now, I’ll never respect you.”

“Why not?”

“I’m taking a cigarette because I need a cigarette. You only want one because I’m having one. Right?”

“I guess so.” I couldn’t tell whether or not we were flirting.

“That is no way to live your life,” she said. “But, by all means, take it. There’s no doubt in my mind that before you change your pants, you’re going to want a cigarette. I tend to have that effect on people.” She perched a cigarette between her lips and lit it, summoning a tongue of flame with a switch of her thumb, challenging me as she did so with a smirk and a raised eyebrow. I held out my hand, and she coaxed another flimsy paper stick from its box and pressed it into my palm. I studied it for a moment, then dropped it into my pocket where it nestled between my cell phone and a rattling box of breath mints.

“Good boy,” she said, breathing fire. She turned away from me and walked two more clacking paces to lean on the wrought iron fence that guarded the river. In the dark, only a faint rushing sound evidenced that the river was actually moving; it looked to me like something recently dead, the meat in a cement sandwich.

“I’m going in,” she declared.

“In the river?” I said. “You’ll freeze. Besides, it’s contaminated. Thirty seconds in that water and you’ll be rendered infertile.”

She laughed. “Don’t be silly,” she said. “We both know I’m much to skinny to bear a child anyway. Watch my shoes?” She stepped out of them, scampered over the fence, and jumped down, down. She penetrated the black water feet first and it swallowed her whole, belching little ripples in polite concentric circles. Two, three, four seconds, and she resurfaced.

“Are you okay?” I shouted down to her. “I think your nose is bleeding!”

It was. Mixing with the tributaries of mascara that ran down all the way to her chin was a moustache of blood. The effect was rather frightening; she looked like a savage warrior, or a demonic circus ringmaster.

She flicked her tongue up and tasted the blood, then tried to smear it off with the back of her wrist, but only succeeded in spreading it further. She gave up the effort.

“It’s lovely!” she cried. “Whooooo!”

The current was pushing her along rapidly, and for a moment she looked rather alarmed at how far she had traveled in just a few seconds, but then the glee returned to her face and she began backstroking along with the river. Her entire body was covered by the dark of the river, save for her head and neck and whichever arm was stroking. The gauzy white sleeves of her dress clung to her arms, and from afar (a distance she was now approaching), she looked like a topsy-turvy dragonfly.

The river turned down a bend, and she disappeared from view, and soon the last strains of her laughter were gone. I looked down at her abandoned shoes, standing like dutiful soldiers bound to guard a capricious princess. I wondered momentarily whether she had been with me in the first place, or had I decided to go for a romantic moonlight stroll with a pair of shoes?

Marveling at the lengths to which she had gone to end our date, I pitched her sharp heels into the river, and reached into my pocket. She had been right; I had a distinct craving for a cigarette.

Slammings

Wow. This was really beautifully done. Your descriptions (I could definitely see her -- great job on character building as well), dialogue, and storyline were all very well thought through and precise. The conclusion was very neat.

 

Just a few thoughts... You use "meaty" twice, and I'm not sure that was purposeful. Both his arm and the river seemed recently dead?  Also, I didn't enjoy the bit about chewing gum... not sure why.

 

Anyway, this was really well done! Awesome work!

critiqued by smalltowngirl, New York (not the city)
Jan 25, 2010

Wow, that piece really took me by surprise! At first, it seems like a pretty normal date, but the girl's behavior and way of talking and interpreting things is calm and unexpected. She drowned herself, didn't she? Also liked how you brought back the cigarette conversation at the end, as if nothing at all had happened. Lovely metaphors and similes too. Great job!

critiqued by sparrow_lvnv
Jan 25, 2010

I love this. You managed to effectively describe a very complex relationship in a very short story. Nice job.

critiqued by Nicola Maye, California
Jan 25, 2010

FIRST -- my favorite line: "belching little ripples in polite concentric circles." I love how "belching" and "polite" are stuck in the same sentence, and it reminded me of the whole story, the way you had a relatively "normal" (?) date and it was stuck in this oppressive and dead atmosphere. PLUS that line has an awesome rhythm.

 

SECOND-- you obviously have an amazing vocabulary and good job using it. That being said, must the arm be called "meaty"? Overall, a great read. Keep it up!

critiqued by xenia, Washington, DC
Feb 8, 2010

Wow, that was really good, totally abnormal and unique.  I have to agree with one of the other critiquers -- you made some unique characters in a kind of beautiful light, but you used some ugly words that ruined a little of the effect.  Words like "meaty," and "belching."  Otherwise, it was really good.

critiqued by Aaron Lawrence, St. Louis, MO
Feb 23, 2010

I don't mind the use of the words "meaty" or "belching." The characters were unique and beautifully crafted, but the light they were in was hardly beautiful. When I picture the setting, I see one that is very sordid and dreary, with dark, overcast clouds. If a place has a contaminated and polluted river, I don't suspect any of the area surrounding it to be particularly clean or pristine. There is a modern tragedy to the characters that plays beneath the words and actions.

 

Overall, I really did love this piece. 

critiqued by CarlNap, Arkansas
Apr 11, 2010