The Slam: Slammables
The Girl
by Anna.O, Portland, OR
Before she even pulled away, I said it, softly,
and it spun like glitter in the space between my skull and brain:
Wait,
wait --
I admit that my lips didn't move. She didn't hesitate.
Maybe if I had let that icky fear catch at the chords in my throat,
if I had let my lips part, let the sound pass them,
she would have paused, just for a moment, missed a beat, half as scared as me.
One step backwards, yes, I had sensed it,
Wait, said my frantic heartbeat, pounding out a Morse code plea,
and she didn't. Her eyebrows rose at the inner edges: a perfected subtle faux sadness,
faux, that means fake, and it's French, her grandmother was French,
and why had that been one of the first things she'd told me?
She could have told me: I used to draw freckles on my nose and thought I was fooling everyone.
She could have told me: I never liked rain until the day I nearly drowned, trapped under a floating mat at the swimming pool, since then I've wanted water near me all the time, isn't that strange now?
She could have told me: In preschool I stole a stencil from a girl I hated, it tormented me until I was eight and I confessed to my father.
“My grandmother was French; she never trusted an Irish boy. It's good you won't have to meet her.”
Four steps away,
and the noise escapes my throat,
raw, mistrusting, terrified:
Wait --
I imagine the word to be a wounded fox crawling from my mouth, flinching at the freezing air.
She doesn't wait.
If flowers really grew in people's footsteps,
they would be blooming in hers.
I love this piece! You've managed to capture the mixed feelings of love (nerves and joy and excitement all at once) in just a few words. The imagery is fantastic (the "wounded fox" crawling out of your mouth), and the last line really stuck with me. A wonderful poem! I can't wait to read more of your work!
Dec 9, 2009
This is incredible. The imagery is so striking -- the swirling glitter, drawing freckles... Really a beautiful poem.
Perhaps because the imagery was so evocative, the one moment where it wasn't threw me off: when you tell us about the time she almost drowned, "trapped under a floating mat at the swimming pool," I find myself struggling to imagine this. Mat? What kind of mat? At first I imagined a door mat, then a blow-up pool toy mattress, then a pool cover. None of that made any sense in context, and it bothered me, took me out of the world of the poem for a moment.
Maybe this is a moment where, assuming that some of the awkwardness might stem from writing about a real situation or a real person, you can take a little bit of poetic license. "Trapped under the pool cover," or "trapped under the surface of the water," or even just, "trapped" wouldn't have made me stumble.
Otherwise, though, I love this. Gorgeous!
Dec 12, 2009
AUTHOR'S NOTE:
I appreciate your feedback so much; it was encouraging and truly helpful.
At the swimmimng pool at my elementary school, among the other pool toys (noodles, kickboards, etc.) were large floating foam mats that three or four kids could sit on at a time. These were so natural a part of the environment that it never occurred to me that they were not a fixture in every childhood. I like your idea of changing it to a mattress or pool cover, and I think I'll do that.
Dec 15, 2009

Slammings